Roberto Tascherio
Denny Tillman
Denny Tillman
AC&R,
Angotti Thomas Hedge,
BGW,
Carmi&Ubertis,
Leo
Burnet, Chapman, Chiat-Day, DCA,
FCB NY, Geer
Dubois, Ketchum,
Lintas NY, Ogilvy&Mather,
Publicis,
Rumrill/Hoyt, Saatchi&Saatchi,
SMCS,
Young&Rubicam, J.Walter Thompson,
TWBA.
AT&T, American Express,
Bailey,
Bloomingdale's,
Calvin Klein,
Champion,
Chemical Bank, Dainese,
Family Circle,
Ferrero, Frangelico,
Hennessy,
Jean Patou,
Kodak,
YSL,
Lancome, Lipton, Liz Claiborne,
Melitta, Neutrogena,
Nikko Hotel,
Oscar de la Renta,
Perry
Ellis, Polaroid,
Saeco,
Silhouette,
Sony,
Swatch, United Negro Fund, Winston.
Within my professional career, I always connect my commercial
work with the work generated by my personal fine art efforts. Any professional
photographer knows how difficult, although not impossible, that is to achieve.
I remember the beginning of the '90 in New York City and a number of
photographers... Charles Purvis, Grant Petersen, Hans Neleman and myself. We
were all well respected pros and, although we certainly weren't household
names, I can assure you that we changed the interpretation and perception of
still life photography onward into the future. How? All of us, even with our
great differences in content and technical expression, introduced personal interpretations to
our commercial still-life assignments during the same time period. And the
outcome of the produced work created a different, fresh approach to the old
school of photography know then as "table top photography"... it was an
approach that hadn't been seen or accepted in commercial work before. In
photography, many things have and will change in the years to come... But the
strongest contribution I make to my client base is the commitment I made back
then; I seek out and deliver personal images of beauty and relevance suited to
their photographic needs. This does not change.